Places I have slept
(a series of drawings)
began August 3, 2003
ended November 21, 2003:
  1. Hayward
  2. Castro Valley
  3. San Lorenzo
  4. San Ramon
  5. Sacramento
  6. Carmichael
  7. San Jose
  8. Oakland
  9. Santa Cruz
  10. Monterey
  11. Pacific Grove
  12. San Simeon
  13. Calistoga
  14. Occidental
  15. Russian River
  16. Jenner
  17. Sea Ranch
  18. Garberville
  19. Gualala
  20. Yorkville, Anderson Valley (Sheep Dung Estates)
  21. One night B&B near Mendocino
  22. Olema
  23. Inverness
  24. Half Moon Bay
  25. Clear Lake
  26. Tahoe
  27. Northstar
  28. Reno
  29. Shasta
  30. Los Angeles
  31. Anaheim
  32. Hollywood
  33. Long Beach
  34. Pasadena
  35. San Diego
  36. San Bernadino
  37. Las Vegas
  38. Yosemite
  39. El Portal
  40. Tuolumne Meadows
  41. Death Valley
  42. Lone Pine
  43. Mono Lake
  44. June Lake
  45. Lake Isabella
  46. Bridgeport
  47. Hope Valley
  48. Crystal Bay, NV
  49. Tehachapi
  50. Victorville
  51. Needles
  52. Winton
  53. Modesto
  54. Twain Harte
  55. Shasta- II
  56. a whole bunch of little towns and campsites all over California
    1. McCloud River
    2. Camp Curry
    3. Barstow
    4. Mojave
    5. Verde Antique
    6. Santa Barbara
    7. Angel Island
    8. Steep Ravine
    9. Clear Lake 2
    10. Mt. Lassen
    11. Big Sur
    12. more more more
  57. Seattle
  58. Portland
  59. Ashland
  60. Corvallis
  61. Victoria
  62. Minneapolis
  63. Carlsbad (CA & NM)
  64. Albuquerque
  65. Santa Fe
  66. Gallup
  67. San Antonio
  68. Lubbock, home of Buddy Holly and Aunt Evelyn
  69. Harlingen
  70. New Orleans
  71. Atlanta
  72. West Monroe, LA
  73. New York
  74. Kapaa
  75. a beach in San Felipe, Baja
  76. Mazatlan
  77. Puerto Vallarta
  78. Barra de Navidad
  79. London
  80. Sheffield
  81. Dover
  82. Rye
  83. Cambridge
  84. York
  85. Edinburgh
  86. Glasgow
  87. Cardiff
  88. Dublin
  89. Mullaghbawn
  90. Dromore West
  91. Clifden
  92. Galway
  93. Corofin
  94. Inisheer
  95. Quin
  96. Kildare
  97. Belfast
  98. Brussels
  99. Amsterdam
  100. Stockholm
  101. Oslo
  102. Copenhagen
  103. Bonn
  104. Munich
  105. Baumholder
  106. Hamburg
  107. Vienna
  108. Zurich
  109. Le Havre
  110. Rouen
  111. Paris
  112. Florence
  113. Padua
  114. Airplanes over the Atlantic & Pacific
    1. TWA
    2. United
    3. British
    4. Virgin
    5. People's Express
    6. Alaskan
    7. Mexicana
    8. Southwest
a place to work, nothing fancy

drawing

Tuesday, December 17, 2002

           
 
   
   
   
   
   
 
 
     
 
   

 

   
 
 

*

Thanks, Lloyd, for highlighting a drawing. Instead of using screen capture to create an image of the table to put on his page Lloyd used the source for the table, and so because, I think, I didn't specify a height and width for the table overall, but only for certain cells, the table displays on his weblog much narrower, in fact changing a horizontal rectangle to a vertical which, when I look at it, I say, no, no, that's not right, the two vertical red and blue bars are way too large and intense in color. Just to point out that there is a composition going on here, as much as I can control in HTML, and that when the composition changes so does the drawing.

Everyday, draw a little. Some of it is obviously poking around, looking for something and not getting there, trying again the next day. Now and then one thing turns into something which leads to another and then another.

Sometimes the drawings are not really about the drawings, it's about the drawing supporting something else, a way of coaxing forth a little writing, a few words, some small memories, a thing seen or heard or wondered about or wished for. "People I Have Known" is an example of a very simple approach I used to generate a number of very small memories by looking everday at a variation in a series, and making myself look at the little drawing until I remembered someone I hadn't thought about in a very long time. The connection between the drawing and text is very thin, but instead the drawing was used more as a device for writing.

Another series of short stories from July continues this idea and shows a greater effort in terms of pushing tables for drawing and in trying to match text to image. In this series I wrote first and drew second. The drawings are meant to be much closer to a representation, perhaps even an illustration, of the text. I think maybe half of these are successful, with about four of them getting closer to what I'm looking for in abstraction as representation, not as depiction. (BTW, I made some thumbnails of these pictures months back and was going to write about which I thought were and weren't successful and why, but haven't got to it yet.)

Sometimes I really push this kind of drawing and get into more intricate tables, for example the Sea Ranch drawings, or the series inspired by the book Early Chinese Texts on Painting called "The Asian Influence In Drawing." Both of these series really are more about drawings that stand alone. The drawings are more much complex with dozens of lines of HTML, and they can take a fair amount more time. By time I mean sixty to ninety minutes as opposed to fifteen to thirty.

Everyday, draw a little, write a little; it adds up, I learn some things, and if I look back over and think about what added up the learning is maybe doubled, and I get ideas about where to go next, how to use what happened before, what to avoid, and what to synthesize.

*

Something to write about:

  • Started as an edutech blog, participated in that community, wrote about blogging, but didn't want to stay at that level, wanted to be a practitioner;
  • Weblog as a studio, portfolio, content and knowledge manager, that is a work place and a place to document the work, a place that shows development and change over time, a place to display things and reflect on them;
  • Mine shows the use of a weblog for personal work and presentation, something closer to what I would want my own students to be doing, journaling, sketchbook, workspace;
  • How I needed to use my weblog for my own work, not my work's work, to better demonstrate use of a weblog for work and learning;
  • Stepping out of the teacher role to be a real user, not to talk about weblogs, but to use a weblog for personal work;
  • A phrase I never use, but might do so carefully here, "those that can, do, and those that can't...," not weblogging about weblogging and tech and edu, but a weblog as a personal content-specific (and tangential topics) studio, office, desk, etc.
  • Think of BAWP- teachers of writing need to be writers, so teachers and thinkers and developers of technology need to use the technology personally

    *

    tables12161702small.gif:
    Comparing yesterday and today.

    *

    I like this drawing:

    Say...


    The opinions or statements expressed herein should not be taken as a position of or endorsement by the University of California, Berkeley. Nor should the opinions or statements expressed herein be taken as a position of or endorsement of the University of California, Berkeley. Links on these pages to commercial sites do not represent endorsement by the University of California or its affiliates.

  • [© Christopher Ashley]

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